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melilla

As the disparity between rich and poor grows across the world, migrants from countries so-called 'third' fight harder to cross the lines into the countries self-proclaimed 'first'. And as the countries at the top of the ladder spend more and more to close and militarize their borders in order to keep the 'others' out, those locked out die to get in. Similar to the US/Mexico border that is slowly being sealed off to those from the south, Fortress Europe works hard and fast to close itself off from those on the outside, those called unworthy. This essay is part of a larger project focused on the look of borders become manifest, the look of the land and the people when the arbitrary line in the sand takes form, becomes militarized and is deadly. These shots were taken from Melilla, Spain, a Spanish enclave in the north of Morocco. Migrants travel for 4,5,6 years to reach this side of the line only to be held in migrant holding centers, some for years, awaiting the legal system to either award them papers or deport them to where they started and worked so hard (and many died) to get away from. And although the specific images and situations (i.e. the border itself and how detention works, etc) may vary slightly from that of the US/Mexico border or around Israel's Wall in Palestine, the root issues remain the same; Those called first world nations (which could not function without the labor of these migrants) create a global system that forces people to migrate and then criminalizes those same migrants for trying to enter the promised land where food, jobs and 'security' supposedly remain.

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About

i would not say i am a ‘photographer’, yet only someone kept sane through the lens of a camera.
i see the world as a series of images able to tell stories of who we are, how we relate to, support and destroy one another.
at the moment, one of my weapons of choice in this political game of life is a camera in my hands and the passion to show the world what i see through the viewfinder.
i am working on a photo documentation project about militarized borders and barriers using the us/mexico border, israel’s wall in palestine, and the structures used to cut off spanish-ceuta and melilla from morocco.
it’s about the look of borders come manifest, it’s effects on the face of the land and the people and the ramifications of borders in general.
let me know if you have any thoughts.

k. flo razowsky's current location:
Minneapolis, United States

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