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    <title>&quot;Indian Stills &quot; (by carlo bevilacqua)</title>
    <link>http://www.lightstalkers.org/galleries/contact_sheet/19408</link>
    <description>INDIAN STILLS , is a selection  of 30 Large-format portraits and
landscapes shot on a Negative Positive/Polaroid T55 9x12 BW during a
jouney in India and printed on a 50 x 60 cm archival rag paper using
pigment ink in  series of 30

Indian Stills  has already shown in 

-Milano (Italy) at  the Open Care Palazzo del Ghiaccio, 2007
-Biennal of Photography Brescia, Italy 2008 / Galleria delle Battaglie 
-Boutographie Photofestival 2009 Montpellier France 
-FotoGrafia Festival Rome 2009 /Punto Touring - Oct 2009

Upcoming Exhibition
Turin Fotografia Festival 2009
Nerhu Center and 118 Gallery London, UK - Dec 2009 

Some Indian Stills pictures was also selected and showed
- in London in the Horst Gallery for the FOTO8 Summer Show
- in the International Exhibition at Center for Fine Art Photography
of Fort Collins &#226;&#8364;&#8220; Colorado ( US) (October 2008)
and in auctions as
- Sotheby's in Milano in December 2008
- and at the Stephan Weiss Studio in New York  for the Donna Karan
and Sonja Nuttal  Urban Zen Foundation .

Indian Still was awarded with the
- HF Distribution Award in the Savignano SI Fest 2008 ( Italy)
- Honourable Mention in the International Photography Awards 2008
( IPA 2008 )Los Angeles
- Honourable Mention  American Popular Photography 2008


INDIAN STILLS recall a world of silence and  imperturbable solemnity; the 
images speak of a inner strength that transcends time and comes  down to us 
from the depths of history, that few outward signs  (certain shapes, for example, 
certain specific highlighted) may  attemp to reveal. 
But  the characters  themselves  are the ones wanting to escape any 
conditioning time, and they  are observed by the remoteness of a 
civilization that gave them the traits, signs, the bearing of a 
culture that escapes us, anchored as  it is the inner rhythms of the 
soul, to deny our superficiality, our economic adventure that has all 
changed. 
The models pose according  to few choices: standing pose and shooting in an 
everyday environment,  often in courtyards, against brick walls without plaster or 
portraits, faces close, with pride and seriousness are proposed to  explain a 
story, without that folklore, which often transforms many  portraits in tourist 
postcards to breach the observer  into a civilization, ancient at least as ours, to 
reveal   through the silence of immobility  and the static pose the sense of an 
ancient  culture that escapes the dogmas of the so-called modernity. 
Almost  certainly our modernity will enter , actually it  has already entered, 
but these INDIANS STILLS   introduce to a dimension that scans the centuries 
through the  faces, poses, the calmness of attitudes, and  tries to unveil the quiet grandeur of a dimension of life.
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      <pubDate>Wed, 18 Mar 2009 04:45:39 +0000</pubDate>
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