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Jonnek Jonneksson

Jonnek Jonneksson

Travel History

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Profession: photographer
Location: Berlin, Germany
Home base: Berlin, Germany
URL: http://www.jonnekjonneksson.com
URL: http://www.you-and-art.com/en/#/artists-profile...
Email: •••••••• (private)
Languages spoken: You can communicate with me using the English, German and Greek language.
Journal: http://www.still-dancing.com/
Mobile phone: +30 6949 933452
Home phone: 0049 308 7332733
Work phone 0030 6949 933452
Last login: 3 days ago
Member since: 20 Mar 2007 10:03

About

Testimonials

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Jonnek Jonneksson. "Wall of Death" Epsilon Magazine, pp. 66-71, Issue 960. [none], Sep 6 2009.
Jonnek Jonneksson. "Sparrow Village" Epsilon Magazine, pp. 52-58, Issue 920. [none], Nov 30 2008.
Jonnek Jonneksson. "Fishermen" Epsilon Magazine, pp. 38-51, Issue 902. [none], Jul 27 2008.
Jonnek Jonneksson. "Alexandra Ghetto in Johannesburg" Epsilon Magazine, pp. 56-64, Issue 886. [none], Apr 6 2008.
Jonnek Jonneksson. "South Africa" Epsilon Magazine, pp. 68-71, Issue 881. [none], Mar 2 2008.
Jonnek Jonneksson. "India" Epsilon Magazine, pp. 44-57, Issue 874. [none], Jan 13 2008.

Gallery

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Recent Post

Your opinion please.

Lately I was fairly troubled about the aesthetic result of the coexistence of black and white photos with color ones, in a single portfolio.

Giving an example, this portfolio could be a big European capital-portrait that presents (or reveals) its contemporary issues of everyday life and its sociological conditions.

Lets consider as a fact that there are unique and indispensable photos from both “sides”, that they must participate building this story-formed portfolio.

What is your opinion about this coexistence?

Is that presents sketchiness and perhaps an overall weakness of this portfolio?

24 Mar 2009 14:03 | 10 replies

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