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Justin Mott

Justin Mott

Travel History

Profession: Photojournalist/Videojour
Status: Freelance
Location: Hanoi, Vietnam
Home base: Vietnam
URL: http://www.justinmott.com
URL: http://www.OnTheRoadMedia.com
Email: •••••••• (private)
Mobile email: •••••••• (private)
Languages spoken: English
Organization: Redux Pictures
Journal: http://justinmott.blogspot.com/
AIM/iChat: jmott78
MSN Messenger: jmott78@hotmail.com
Yahoo! Messenger: mottphotography
Skype: Jmott78 jmott78
Mobile phone: USA 415-812-5415
Home phone: Cambodia +855 017 440 574
Work phone Vietnam +84 (097) 2383 071
Emergency notes: Contact Adam Mott.
Last login: about 4 hours ago
Member since: 28 Oct 2005 03:10

About

Justin grew up in Rhode Island with a journalism background from San Francisco State University. During his time in San Francisco Justin received the Greg Robinson Memorial Award, given to the College Photographer of the Year for San Francisco and the Bay Area. In 2007 he was accepted into the Eddie Adams Workshop in New York and won the Nikon Emerging Professional Scholarship for the University of Missouri Photo Workshop along with 4 awards(1 Gold) for CPOY in 2007. In 2008 his documentary work was recognized by PDN and he was awarded the Marty Forscher Fellowship(Professional Category)for humanistic photography given by sponsored by Parsons The New School for Design. In 2008 Justin was also nominated for the World Press Photo Joop Swart Masterclass.
Justin has been working in SE Asia since 2005 and currently resides in Hanoi, Vietnam. He is represented by Redux Pictures an archive of his work can been found on their website at
http://www.reduxpictures.com
Justin is co-founder of the multimedia storytelling website http://www.OnTheRoadMedia.com.
His personal projects, multimedia work, and assignments have been published in TIME, Newsweek, The New York Times, Business Week, L’EXPRESS,GEO,The Independent UK , Discovery Channel, Medecins Sans Frontieres, Global Exchange, and various other international publications.
Justin also works as a cameraman most recently filming on a series for Discovery Channel HD (Diwali-Revealed) and he shoots assignments throughout SE Asia for The New York Times Video Department.

Testimonials


Publications | View all | Enter a new listing
Justin Mott. "Touring the Mekong Delta" New York Times (daily), pp. Online and in the Travel Section. [none], Jul 19 2008.
Justin Mott. "Circle of Life" New York Times (daily), [none], Jul 17 2008.
Justin Mott. "Shortages Threaten Farmers’ Key Tool: Fertilizer" New York Times (daily), [none], Apr 30 2008.
Justin Mott. "Asian Inflation Begins to Sting U.S. Shoppers" New York Times (daily), pp. A1. [none], Apr 8 2008.
Justin Mott. "The Road to Remote Upland Asia" New York Times (daily), [none], Mar 29 2008.
Justin Mott. In the Sultanate of Solo, One Too Many Kings New York Times, [none], Feb 17 2008.
Justin Mott. Indonesian Chickens, and People, Hard Hit by Bird Flu New York Times (daily), [none], Feb 1 2008.
Justin Mott. "Javanese Mystical Beliefs" New York Times (daily), [none], Jan 28 2008.
Justin Mott. "As Suharto clings to life, Indonesians draw mystical connections" Herald Tribune, pp. A1. [none], Jan 26 2008.
Justin Mott. ""An Oil Quandry: Costly Fuel Means Costly Calories" New York Times, pp. A1. " New York Times (daily), pp. A1. [none], Jan 19 2008.

Gallery



Recent Post

Jared Moossy Exhibition NYC

Razon Collective member Jared Moossy will have his work exhibited in NYC.

When two elephants fight, it is only the grass that suffers."
-African Proverb

“Leaves of Grass” is an intimate portrait of Afghanistan, a country looked at but rarely seen, we often only see a country in the constant throes of war. We divide simplistically the country’s people in to those who visit wa…r upon others and then those upon whom war is visited. However the most common narrative is the one that is lived quietly and spun daily in the lives of ordinary Afghans. It is this narrative of quiet, personal industry, one that is shaping up to be the dominant narrative of Afghanistan where up to now we have thought of a people only as those irrevocably linked with conflict.

These images then illustrate for us all the ambiguity and tragedy of people finding their way in war. For some, work is the descent in to perennial night in mines, for others it is the moral conundrum of farming poppy that provides half the world’s heroin. Categories of right and wrong dissolve in a bowl of necessity. This then is a hope of showing the undocumented side of Afghan lives, attempting to wrestle images that show a different cadence of life apart from that conflict.

05 Nov 2009 09:11 | 12 replies

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