Lightstalkers
* My Profile My Galleries My Networks

protecting gear from sand

Suggestions for keeping gear protected in sandstorm situations? Will be on assignment at Burning Man and want everything to stay functional. Perhaps some of you who have been to Iraq could comment…?

by Allison Shelley at Thu Aug 16 14:15:36 UTC 2007 (ed. Mar 12 2008) Washington DC, United States | Bookmark this | Digg this |

this could possibly be the stoopidest reply but… i thought it was in a dried lake plane therefore not sand but more dust desert?

Correct and ridicule me if this is wrong.

by Con O'Donoghue | 16 Aug 2007 14:08 | Barcelona, Spain |
if it is camera gear , try cameraarmor.com

by Anamitra Chakladar | 16 Aug 2007 14:08 | New Delhi, India |
Con, it’s dry when wet or non-windy. It’s super dusty when windy. I’ve been there in whiteout conditions and it ain’t pretty. Anamitra, thanks for your suggestion.

by Allison Shelley | 16 Aug 2007 14:08 | Washington DC, United States |
Plastic bags, rubber bands, and gaffer’s tape, and put a UV filter on the front of your lenses. That Camera Armor thingie won’t do a thing for dust or sand- I think it’s made mostly for bumps and scrapes.

by David Honl | 16 Aug 2007 14:08 | Almaty, Kazakhstan |
underwater camera? Nikonos or the like

by Eros Hoagland | 16 Aug 2007 16:08 | Berkeley, United States |
This guy pulled a DIY and made a cover for his gear out of an old wetsuit. http://www.windvisions.com/my-gear.html

by Sarah Race | 16 Aug 2007 17:08 | Vancouver, Canada |
you have an assignment at burning man? it’s not sand there, it’s very very fine dust… it will get in your equipment, there’s just no way around it. wrap your gear in plastic as much as possible and you have a fighting chance. eros’ suggestion of an underwater set-up is probably the only guarantee. more importantly, PARTICIPATE…. :)

by Lance Rosenfield | 16 Aug 2007 17:08 (ed. Aug 16 2007) | Austin, TX, United States |
Man, am I envious! You get an assignment there. Cool! I’ve wanted to go to Burning Man for years. Maybe I can get an assignment next year.

by Neal Jackson | 16 Aug 2007 18:08 | Washington, DC, United States |
I have been many times in the Sahara. I don’t know if it compare to the condition you will meet. I have protected my gear with a homemade nylon tube open at both end. One end is tie around the lens (I have made mine with a jacket cord lock as found in outdoor garment) and the other end is large enough so I can get my hands and head to shoot. The tube is long (>12”) to have enough tissu to close everything. Every night, at camp I brush dust off. I had no problem even in a 10 hours sand storm. Take care when you get your camera in and out of your bag wich should absolutely have a zipper to close it tight.

Hope this will help you

M-A

by Marc André Pauzé | 16 Aug 2007 18:08 | Montreal, Canada |
if you shoot canon use 1D series bodies and EF L lenses. duct tape their focusing grids. use loads of ziplock bags and try not to use your laptop outdoors. always use a small personal tent if possibile to leave your stuff around and work the laptop. the kit is made to be used. get insurance for it and dont worry too much about it if not you ll finish only thinking about your camera’s state. use what you re use to shoot with. i would suggest not to get involved with weird and bolky protective stuff. they d limit your mobility and speed.

by Guy Calaf | 16 Aug 2007 22:08 | Yaounde, Cameroon |
That wetsuit idea sounds great. I’m going to give that a try! It might also take away that “expensive” look of Canon’s white lenses while in third-world countries.

by Michel Hulsey | 16 Aug 2007 23:08 (ed. Aug 16 2007) | Okinawa, Japan |
Hey Allison, Have fun at Burning Man, always a gig I wanted to do. My .02 on dust after having spent some time in it in Iraq, worst being constant dust storms and construction of a new FOB in Anbar where I slept with my Nikon bodies on the ground… Take a professional body and “embrace the suck.” Seriously, I tried the plastic bag route but when they get filled, and they will through any opening, you’re just grinding that dust in while struggling with the cumbersome wrap. Instead, I did not remove any lenses on my D2s and used a paint brush to knock the heavy off. They were still functional 2 months later though the push/pull 80-200 was pretty stiff and was shooting everything at f4 or faster to avoid specks. Sent them to Nikon NPS on return but they still have a fine tan patina. But, they still function flawlessly. Pro bodies will take a lot of abuse even my d200s have made a couple of trips without hiccup. All this assumes you’re shooting with issued gear and not your own (wink.) Good shootin’, JLee

by James J. Lee | 17 Aug 2007 02:08 | Fairfax, VA, United States |
Forget the duck tape. Don’t change lenses…Nikonos just may be the answer..this seems to be the problem now that we’re all shooting digital…just shoot- get the gear cleaned later. Shot film. ? go- have a great time. What is your assignment? set up in a tent…

by Sarah Underhill | 17 Aug 2007 02:08 | Boston, United States |
I agree with Guy, James and Sarah…pick yer lens/body setup and never switch lenses. Most of the pro bodies and lenses are pretty well sealed. All the bags, wrap, and “armor” just get in the way and don’t do a whole lot.

“Embrace the suck”....I love it!

by Max Whittaker | 17 Aug 2007 03:08 | Sacramento, United States |
I agree with a Eros, a nikonos V will do the trick, but every time im in a desert, i have all my gear in plastic bags that seal and i have a big very thin raincoat to cover everything when things are getting hard and of i dont change lences. have with you a brush to revome all the dust and as soon as you get back send your gear for check and cleaning. be very careful with cards and such.

by Stefanos Kouratzis | 17 Aug 2007 06:08 | Nicosia, Cyprus |
bump

by A H Henry | 17 Aug 2007 18:08 | S E Michigan, United States |
This may be overkill, but…

http://ewa-marine.com/

Feli

by Feli Di Giorgio | 17 Aug 2007 23:08 | London, United Kingdom |
hmmmm, maybe we could get a LS to sanction an EMBRACE THE SUCK bumper sticker…
Will go the paintbrush, uv filter, gaffers, ziplock route. Photo/audio editing station will be in rented suv that will stay closed all other times. Have to go digi bc of super tight deadline and lack of such luxuries as film processing or heck, even a cell signal (which I’m frankly stoked about, except when I’ll have to transmit… on someone’s borrowed satellite uplink). Thanks all! I’ll post a link to results around Sept. 4!

by Allison Shelley | 18 Aug 2007 02:08 | Washington DC, United States |

Get notified when someone replies to this thread:
Feed-icon-10x10 via RSS
Recommended
Icon_email via email
You can unsubscribe later.

More about sponsorship→

Participants

Allison Shelley, Photojournalist Allison Shelley
Photojournalist
Washington DC , United States ( DCA )
Con O'Donoghue, Photographer Con O'Donoghue
Photographer
Barcelona , Spain ( BCN )
Anamitra Chakladar, Photojournalist Anamitra Chakladar
Photojournalist
(News Cameraman/Photographer)
New Delhi , India
David Honl, photographer David Honl
photographer
Los Angeles , United States
Eros Hoagland, photojournalist Eros Hoagland
photojournalist
Berkeley , United States
Sarah Race, Photographer/Assistant Sarah Race
Photographer/Assistant
Vancouver, BC , Canada
Lance Rosenfield, Lance Rosenfield
(Photographer)
Austin, Texas , United States ( AUS )
Neal Jackson, Photog, Media Consultant Neal Jackson
Photog, Media Consultant
(Beekeeper and Flaneur)
Washington, DC , United States
Marc André Pauzé, Photojournalist Marc André Pauzé
Photojournalist
(Photoreporter of humanity)
Winneway , Canada ( YUL )
Guy Calaf, Photojournalist Guy Calaf
Photojournalist
Nairobi , Kenya ( HAM )
Michel Hulsey, Military Michel Hulsey
Military
New York , United States ( ??? )
James J. Lee, Photojournalist James J. Lee
Photojournalist
(www.jamesjlee.com)
Vincent, OH , United States
Sarah Underhill, Photographer Sarah Underhill
Photographer
Boston , United States
Max Whittaker, Photojournalist Max Whittaker
Photojournalist
Sacramento , United States ( SMF )
Stefanos Kouratzis, Photojournalist,Reporter Stefanos Kouratzis
Photojournalist,Reporter
Nicosia , Cyprus
A H Henry, Retired A H Henry
Retired
(photographer)
S E Michigan , United States
Feli Di Giorgio, Photographer  /  Movie FX Feli Di Giorgio
Photographer / Movie FX
(www.elanphotos.com)
London , United Kingdom ( AAA )


Keywords

Top↑ | RSS/XML | Privacy Statement | Terms of Use | support@lightstalkers.org / ©2004-2008 November Eleven