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Sending unprocessed film

In these days of increased security, has anyone had problems sending unprocessed film, like exposure to x-ray? Since it’s pretty difficult to get reliable development these days I’m sending all my stuff back to London, but what are the dangers? P.

by Paul Hardy Carter at Fri Jul 20 08:30:14 UTC 2007 (ed. Mar 12 2008) Monte Pego, Spain | Bookmark this | Digg this |

In Thailand a few years ago, I tried to FedEx some film back to the states. The FedEx driver told me that as far as he knew, that Thailand x-rayed packages going out of the country – they were worried about smuggling of antiques. I decided to wait until I made it to Hong Kong before shipping home my film.

I’ve always carried my film home with me – or – by Fedex. In the U.S. – other carriers don’t have the same track record as FedEx. Although UPS is very good.

by Cameron Davidson | 20 Jul 2007 23:07 | Washington DC, United States |
UPS is my current favourite but I can’t get a definitive answer on the x-ray question. Still, in many places it’s my best bet.

by Paul Hardy Carter | 21 Jul 2007 07:07 | Monte Pego, Spain |
It’s been a while since I’ve looked into this, but last time I did Fed Ex was best. They even had a sticker for film. Oddly, it wasn’t a “No X-Ray” sticker, but one that said not to put the stickered box next to boxes of radioactive material (which could effect the film). I don’t know what they do today but at that time I was told they didn’t x-ray stuff. Getting film processed locally, then shippiing seems the safest, but given “local” processing many places it just isn’t always an option.

by John Robert Fulton Jr. | 21 Jul 2007 16:07 | Fort Worth, Texas, United States |
I send film from Sweden to London for processing via Fedex seven or eight times a year and I have never had a problem. Fedex tell me that they don’t xray between Sweden and UK.

I always try and avoid xrays, especially the bigger older machines, but these days its more difficult. I talked security in Heathrow into hand checking my film and not xraying it a year or so ago (after it had been through six or seven machines already) and they took a swab to check for explosives. It came up positive. I explained that I work with a landmine and UXO clearance organisation and agreed to put it through the xray machine. They were actually really cool about it. I thought the red light was going to lead to rubber glove treatment or something. The film was fine though.

My film ends up going through at least three times on average with no problems so far. Usually I shoot TriX 400, Tmax 400 and a little Tmax 3200. I think black and white is much less sensitive and I think that older and larger machines can be a problem. Basically, if its a new, small machine I just let it go through. If its an old one or a big one designed for hold luggage I will go out of my way, sometimes incurring great hassle, to avoid it. Although I haven’t had any problems in 20 years of traveling I have heard some nightmare stories, especially with xray machines in Israel, Russia and eastern Europe.

by Sean Sutton | 22 Jul 2007 14:07 (ed. Jul 22 2007) | Lund, Sweden |
I’ve never had the opportunity to FedEx or UPS film from overseas. But I can comment on local processing. I tried processing C-4 in Gjilane, Kosovo and will always regret it. Film came back in one strip rolled into a canister. Scratches galore.

Now though I just hand carry everything through. The only place I couldn’t get a hand check was Frankfury last year. The worst place for hand checks is Savannah, Ga., airport. They dumped nine months worth of seperated Iraq film into one bin. Then proceeded to use an explosive-residue test patch for every canister. Those pads are expensive, then hand checked each roll. I barely made my flight.

by Bill Putnam | 22 Jul 2007 16:07 | Washington, DC, United States |
I think the best bet is to try and carry the film with you through the airport. However in the UK at least, getting a hand check is next to impossible these days. The restrictions to one carry on bag also causes a major problem when it comes to travelling with lots of film.

For my most recent trip to Spain I just stuffed a back pack with as much film as would fit in leaving enough space for my two M6 TTLs on the top.

Last time I went to Saskatchewan I took 150 rolls as carry on. That was in 2005. When I return I’m going to look into shipping the film out there and back. It will be a hassle but what’s the alternative? As I’ve been told at airports when trying to get film hand checked, “use digital!”

by Justin Partyka | 23 Jul 2007 22:07 | Norfolk, United Kingdom |
Anyone ever shipped film from Africa (thinking particularly of W. Africa) to the U.S.? (it would be tri-x 400)

by Omar Mullick | 27 Jul 2007 02:07 (ed. Jul 27 2007) | Brooklyn, NY, United States |
In many (most?) modern airports, “x-ray” hand luggage scanners are actually ultrasonic and not X-ray. As such they make no effect on film at all. If you can glance on display, such machines paint the contents image in artificial colors according to density. That’s what I’ve been told by luggage scanner service technician at least.

Checked luggage is different story though.

by Eugene Zaikonnikov | 30 Jul 2007 12:07 | Bergen, Norway |
That’s very interesting Eugene. I’ve noticed the coloured images on the monitors. If these things really are ultrasonic that’s a great weight off my mind! P.

by Paul Hardy Carter | 30 Jul 2007 15:07 | Monte Pego, Spain |
I’ve asked for 40 rolls of Tri-X and Plus-X to be hand checked on a flight from San Francisco and had no pro blems

I also did a check and exposed two rolls of Tri-X a to an X-Ray machine and they were OK.

I would avoid running them through the language X-Ray machines which I’ve been told by several sources are more powerful.

by Michael D. Cassidy | 30 Jul 2007 20:07 | Brooklyn, United States |
Omar, I havn´t shipped film from West-Africa but i had them x-rayed at the airports in Bamako (color in 2003) and Niamey (bw in 2004). They were hand luggage of course and survived without damage.

by Alex Magedler | 31 Jul 2007 16:07 | Vienna, Austria |

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Paul Hardy Carter, Photographer Paul Hardy Carter
Photographer
(Keep calm and carry on)
Monte Pego , Spain ( VLC )
Cameron Davidson, Photographer Cameron Davidson
Photographer
dca , United States ( DCA )
John Robert Fulton Jr., Photographs John Robert Fulton Jr.
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Fort Worth, Texas , United States
Sean Sutton, Photographer Sean Sutton
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Lund , Sweden ( ??? )
Bill Putnam, multi-media photojog Bill Putnam
multi-media photojog
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Washington, DC , United States ( IAD )
En route to Princeton, Mass. (ETA: Aug 2 2008)
Justin Partyka, Photographer Justin Partyka
Photographer
Norfolk , United Kingdom
Omar Mullick, Omar Mullick
New York , United States ( JFK )
Eugene Zaikonnikov, Eugene Zaikonnikov
(Selling the Motherland)
Bergen , Norway
Michael D. Cassidy, Assistant Managing Editor Michael D. Cassidy
Assistant Managing Editor
Brooklyn , United States
Alex Magedler, Alex Magedler
Vienna , Austria


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